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Rapture Stone > Blog > Music > Dancehall News > Stylo G Is Still Testing How Far Dancehall Can Travel
Dancehall News

Stylo G Is Still Testing How Far Dancehall Can Travel

Taelah Nash
Last updated: October 3, 2026 11:51 pm
By
Taelah Nash
4 Min Read
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Stylo G has spent much of his career making the case that Jamaican dancehall does not have to stay within Jamaica’s borders. His latest move is another attempt to stretch that argument, bringing a Spanish influence into a new collaboration with London production duo The FaNaTiX.

The song, “CHOSEN,” is scheduled for release later this month, with a music-video teaser already circulating online. The FaNaTiX describe the track as a meeting of smooth dancehall and Spanish sounds, while Stylo G has presented it as a potential new anthem for a genre whose audience continues to expand internationally.

The collaboration is significant because it reunites Stylo G with The FaNaTiX, the production team behind his earlier international success “Touch Down.” Their new record is therefore not simply an isolated experiment but another attempt by an established team to find a sound that can travel beyond dancehall’s traditional audience.

For Stylo G, that pursuit has been central to his career.

Born in Jamaica and raised partly in Britain, the artist has occupied a space between Kingston and London for years. His music has consistently reflected that position, allowing Jamaican dancehall vocabulary to move through British clubs, international collaborations and audiences unfamiliar with the genre’s traditional boundaries.

That crossover instinct has produced records such as “Dumpling”, “Touch Down”, “Too Hot” and “Bamm Bamm”. His catalogue also includes collaborations with artists from outside the immediate dancehall world, reinforcing his role as one of the Jamaican artists most comfortable operating across musical borders.

The latest collaboration arrives after a busy year for Stylo G. His 2026 releases have included “Konnichiwa,” “Energy Up,” “Bamboo,” “Strong Like Lion” and “Arab Money (Salam Aleykoum),” showing an artist continuing to experiment rather than relying exclusively on the records that established his reputation.

The FaNaTiX bring their own international perspective to the partnership. The London duo, made up of Dro and C Dot, have worked across dancehall, hip-hop, Afrobeats and pop, with credits involving artists including Nicki Minaj, Popcaan, Shenseea, Busta Rhymes, David Guetta, Davido, J Balvin and Koffee.

That background makes the Spanish element of “CHOSEN” particularly notable.

Dancehall has never existed in isolation. Jamaican music has repeatedly absorbed sounds from elsewhere and sent them back into the world transformed. Reggae influenced generations of musicians overseas; dancehall later became a foundation for artists working in pop, hip-hop, Afrobeats and Latin music.

Stylo G has built much of his career inside that exchange.

The challenge now is whether “CHOSEN” can make the Spanish influence feel like part of dancehall’s continuing evolution rather than another attempt at crossover for crossover’s sake.

The answer will have to wait for the full release. For now, the record represents something more interesting than a familiar artist returning with another single.

It is another test of how far dancehall can travel — and how much of Jamaica can remain audible when it gets there.

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ByTaelah Nash
​Taelah Nash is a veteran journalist, media executive, and the Editor-in-Chief of Rapture Stone, leading the publication’s global editorial vision, investigative strategy, and multi-platform newsroom operations. With over fifteen years of award-winning experience spanning investigative field reporting, broadcast production, and digital media management, Nash brings a battle-tested journalistic foundation to the top of the masthead. ​Before stepping into executive newsroom leadership, Nash built her reputation on the front lines of journalism as a senior field correspondent and investigative reporter. She covered high-stakes socio-political developments, cultural movements, and breaking news across regional and international beats. Known for her unyielding commitment to editorial integrity and sharp analytical depth, her career includes high-profile interviews with government officials, industry leaders, and cultural figures, alongside deep-dive investigative series that brought critical issues to the forefront. ​As Editor-in-Chief, Nash oversees Rapture Stone’s full suite of digital content, broadcast reporting, and investigative units. She manages newsroom operations, shapes long-term editorial policy, and enforces rigorous standards of accuracy, ethics, and narrative storytelling. Her 360-degree background across every facet of the industry—from field camera operations and desk editing to live desk anchoring—ensures that Rapture Stone delivers high-impact, authentic, and independent journalism. ​Nash holds a degree in Mass Communication and Journalism and is a vocal advocate for press freedom, media ethics, and newsroom diversity. Beyond directing newsroom operations, she regularly speaks at international media forums and leads mentorship initiatives dedicated to training the next generation of investigative journalists and digital editors.
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